Engraved Jade Bracelet, Plaques with a Carved Motif

50,90 €

Engraved jade bracelet: slabs in a tender green, each carrying a motif hollowed out of the mass, joined edge to edge on a double elastic.

On a pale stone the relief is read not by contrast but by thickness: where the material is thin it is brighter. You have to turn the wrist to bring it alive.

The motif is felt under the thumb, and the bottom of the hollows is more matt than the polished parts. Treatment status undetermined. Why I write it down.

How to Measure Your Size: The Guide, Family by Family

A tape measure right at the wrist bone, laid on without pulling tight.

Category:

An engraved jade bracelet: slabs in a tender green, each carrying a motif hollowed out of the mass, joined edge to edge on a double elastic. On a pale stone the engraving reads in a quite different way from a dark green, and that is what makes this model interesting.

In four lines

  • A motif hollowed into the stone, not engraved on the surface nor printed.
  • A tender, light green, on which the relief reads by shadow and not by contrast.
  • Joined edge to edge on two elastics: the ring stays flat and does not twist.
  • Taken at the wrist, it goes on by stretching.

Reading a relief on a pale stone

On a dark jade an engraving is seen by contrast: the bottom of the hollow stays in shadow and the drawing appears black on green. On a pale, translucent stone that mechanism does not work, because the light enters the stone and comes back up from the bottom of the hollow.

The motif is then read otherwise, by very slight differences of thickness: where the material is thin it is brighter; where it stays thick it is denser. The drawing appears pale on pale, and you have to turn the wrist to bring it alive.

It is more discreet than an engraving on a dark ground, and far harder to imitate in resin: a casting reproduces the shape of the hollow, not the way the light travels through the material.

Hollowed out, and not printed

The motif is hollowed into the stone. You feel it under the thumb, and the bottom of the hollow is more matt than the polished parts, because it is harder to reach when polishing.

That detail is useful. On a moulded imitation the relief is clean, even and identical to a tenth of a millimetre on every piece. On a worked stone the motif repeats but never superimposes exactly, and the sharp angles of the drawing blunt here and there.

Jade stands this work because it is tough: its interlocked crystals resist the spread of a crack. Hollowing out a slab a few millimetres thick without splitting it is possible on very few stones. The difference between hardness and toughness.

What you can check yourself

Look at the drill hole. On a dyed stone the colourant concentrates there and the rim is darker than the rest. The colour also follows the micro cracks, in a network, instead of spreading through the mass. The checks that need no equipment.

On an engraved piece, also look at the bottom of the hollows. A dyed stone is often more loaded with colour there than on the surfaces, because the colourant had more purchase on a less polished zone. On a stone coloured through its mass, hollow and surface are the same tone.

As for the word jade on its own, it does not say much: what is sold under that name is very often serpentine or dyed quartzite. None of those names denotes jade. All the bracelets in the section, and what separates the two minerals.

Additional information

StoneJadeite or nephrite, not resolved
ColorLight green
Stone shapeEngraved plaque
MotifRelief motif
MountingElastic
MetalNone
SettingDrilled stone
Worn byWomen
Mineral familyCalcic amphibole, Sodium aluminum pyroxene
Hardness (Mohs)6 to 7
Reference density2.90 to 3.36 g/cm³
ToughnessExceptional, interlocking crystals
TreatmentNot determined
OriginOutside Burma, country of extraction not confirmed

What tradition attributes to engraved jade

What follows changes register, and I flag it rather than blending it into the rest of the page. Nothing here is demonstrated. These are customs and beliefs, which I report because they are part of the history of this stone. No piece in this shop is sold as a remedy, and I claim no effect for this one.

Carving rather than polishing Scholarly texts distinguish polished jade, which shows the material, from worked jade, which shows the hand. Both have had their supporters for centuries, and the quarrel is not settled. What tradition puts into a jade bracelet.
The motif that wears A relief worn every day softens on its edges, and tradition sees in it the mark of time spent with the object. It is friction, and it is quite real.
The jade you patinate by hand A row of beads worn every day ends by taking a polish the workshop does not give. Tradition sees in it an exchange between the stone and its wearer; it is mostly friction, and it is quite real.
The polish, and what is read in it The scholarly tradition associates jade with a soft rather than a sharp gloss, and makes of it an image of restraint. It is an aesthetic reading turned moral, not an observation about the stone.

These readings are told, not verified. The virtues attributed to jade, said honestly, and the moral virtues in Confucius.

A stone does not replace a doctor and treats nothing: the full warning is here.

Lead Times

Shipped within 48 hours of your order being confirmed, for delivery within 14 days from the day it ships. I keep no buffer stock, and I will not promise a date I cannot meet.

Shipping Costs

€6.99 no matter the destination, and free on orders of €47 or more to France, Belgium, Switzerland, and Luxembourg. The exact amount shows in your cart before you pay.

The Packaging, and Why It Matters

Every piece leaves in its own pouch, kept apart from the others. This is not about presentation: jade’s hardness is ordinary, 6 to 6.5 for nephrite and 6.5 to 7 for jadeite, and the quartz in everyday dust rates 7. Two pieces of jewelry that travel together arrive scratched.

Fourteen Days to Change Your Mind

No reason needed. One email opens a return, and there is no form to fill out. Return shipping is at your expense, unless the piece does not match its listing or arrives damaged.

Getting the size wrong is the leading cause of returns in this category, and jade cannot be resized the way a solid metal band can. Two minutes of measuring almost always prevents it. The size guide.

It is all spelled out here, with no fine print.

The Simple Routine

Lukewarm water, mild soap, a soft cloth. A very soft brush for the hollows of a carving. That is all, and it is enough.

What You Must Never Do, and Why

No ultrasonic cleaner, no steam, no solvent, no heat source. The reason is not caution for its own sake: the treatment status of my pieces is undetermined. My supplier cannot tell me, and the weighing establishes the mineral without saying anything about a possible resin impregnation. Resin withstands neither heat nor solvents, so every piece is handled as though it might contain some. The treatment information page.

The Scratch, and Where It Comes From

Jade is tough, meaning very hard to break: its structure of interlocking crystals resists cracking, and that is what made it possible to turn it into axes in the Neolithic. Its hardness, on the other hand, is ordinary, 6 to 6.5 for nephrite and 6.5 to 7 for jadeite. The quartz in everyday dust rates 7, and that is what dulls a jade, not impacts. The difference between the two.

Day to Day

Put the piece on after perfume and lotion, never before. Take it off for housework, gardening, and sports, where the hard knocks happen. Store each piece on its own, in its pouch. On a strand of beads, the thread wears out before the stone does: it gets restrung, and there is nothing abnormal about that.

Cleaning a jade piece and storing it.

What I Do, and What I Don’t

My name is Jade. I am French, from Morbihan in Brittany, and I live in Tallinn. I choose the pieces and have them set: I mine nothing, I carve nothing, and I do not do the metalwork myself. What I bring is the sorting, and with this material the sorting decides everything.

I am not a gemologist, a lapidary, or a therapist, and I do not claim to be.

I Weigh, I Do Not Certify

Before putting a reference online, I order one example of it for myself. When it reaches me unset, I weigh it in air, then suspended from a thread in a glass of water: the ratio of the two masses gives the density, and that figure separates jadeite, nephrite, serpentine, and dyed quartzite without ambiguity.

One example per reference, and not every piece. I never handle the piece that ships to you, and I would rather say so plainly than let anyone believe otherwise. The method, with its three limitations.

What I Cannot Know

The treatment status of my pieces. My supplier cannot tell me, and neither can the scale: it establishes the mineral, not the resin impregnation. Only laboratory infrared spectroscopy would settle the question, and I do not have that testing done. So you will never read “jadeite A”, “type A” or “untreated” on this site. The information page.

Where My Jade Comes From

No Burmese jadeite, and the first reason is legal. Not the one you read everywhere: the JADE Act of 2008 did ban these stones in the United States, but that ban was lifted on October 7, 2016. What applies today dates from April 8, 2021: the US Treasury sanctioned Myanma Gems Enterprise, the state-owned company that controls the Burmese gem trade. So there is no blanket ban, but an American is not allowed to do business with that entity, and a stone never tells you where it has been. I run one supply chain for ten markets, and it has to stand up to the strictest one. When an origin is not confirmed to me in writing, the listing does not state it. My origin policy.

The whole story.