Vintage Jade Earrings in a Chased Silver Tone Frame

40,90 €

Vintage jade earrings: a drop in a deep bottle green, closed set in a silver tone frame chased with scrolls, hung from a simple hook.

Sold under reserve, and the reserve will not be lifted. The even green is that of a dyed chalcedony, and the closed setting forbids weighing.

What you are buying here is work on the mount, chased right onto the edge and the back. Why I write it down.

Category:

Vintage jade earrings: a drop of stone in a deep bottle green, closed set in a silver tone frame entirely chased with scrolls and arabesques, hung from a simple hook. It is the darkest and most worked piece in the section.

In four lines

  • A drop in a deep bottle green, closed set.
  • A silver tone frame chased with scrolls over its whole surface.
  • Sold under reserve: the type colour of dyed chalcedony.
  • The record will stay empty: a closed setting forbids weighing.

A green that has to be looked at squarely

This stone is a dense, vitreous bottle green, and absolutely even: not a vein, not a cloud, not a paler zone on the edge where it nevertheless thins. On a cabochon of this size that is very unusual for a jade.

Nephrite is made of interlocked fibres whose density varies, and that variation always shows a little. Jadeite of a green as deep and as regular exists, but it sells at quite another price than the one on this page. What gives exactly this look is a dyed chalcedony, a material that takes colour homogeneously because its grain is fine and even.

I am not saying it is certain. I am saying that is what my supplier’s photograph shows, not only my own rendering, and that a shop selling one stone only has no right to pass over it. The names that do not denote jade.

And why the reserve will stay open

On most pages in this catalogue a reservation about the material is lifted by the weighing: the figure arrives, it settles the matter, and the page is corrected. Here it will not be. The drop is held by a silver tone collar folded down over its whole edge, and taking it out would deform a chased frame that does not come back into shape.

I am not going to destroy a piece to obtain a measurement. The record will therefore stay empty, and it will say so: not measured yet, and it will not be on this reference.

If certainty matters to you, the catalogue has plenty to offer. The discs on cords and the knotted pendants all come undone, so they can all be weighed. The method, with its three limits.

What you are buying all the same

Work on the mount. The frame is not a simple surround: it is chased with scrolls over its whole surface, including the edge, and the back is worked too. It is a style called vintage or Balinese, very recognisable, and it takes up as much room as the stone.

The whole is surprisingly light for its appearance, because the frame is hollow. It is worn all day without pulling on the lobe, which is not obvious on a drop of this size.

The metal is silver tone, not hallmarked by my supplier. So I write it as silver tone, and not 925. A patina will come in the bottom of the chasing, and that is all to the good: on this style it is the patina that gives the relief. How to clean jade, and all the earrings in the section.

Additional information

StoneJadeite or nephrite, not resolved
ColourDark green
Stone shapeDrop
MotifNo motif
MountingMetal setting
MetalSilver tone, alloy not stated
SettingBezel set
Worn byWomen
Mineral familyCalcic amphibole, Sodium aluminium pyroxene
Hardness (Mohs)6 to 7
Reference density2.90 to 3.36 g/cm³
ToughnessExceptional, interlocking crystals
TreatmentNot determined
OriginOutside Burma, country of extraction not confirmed

What tradition attributes to jade

What follows changes register, and I flag it rather than blending it into the rest of the page. Nothing here is demonstrated. These are customs and beliefs, which I report because they are part of the history of this stone. No piece in this shop is sold as a remedy, and I claim no effect for this one.

Jade at the ears The jueshi, slit jade rings worn at the ear, are among the oldest known Chinese ornaments: examples are found in Neolithic burials, long before the discs and the belt pendants.
Deep green, a recent fashion The taste for very saturated greens comes from the trade in Burmese jadeite, which only reaches China in the eighteenth century. Old scholarly taste far preferred pale and muted stones.
Dyeing a stone is nothing new The dyeing of translucent stones is attested since antiquity, from Roman agate to the chalcedonies of Idar Oberstein. It is not a modern fraud, it is an old trade, which becomes a problem only when the process is kept quiet.
A stone of moral virtue In Confucian thought, jade is associated with qualities of character rather than effects on the body: uprightness, constancy, restraint. It is the best documented meaning of them all.

These readings are told, not verified. The virtues attributed to jade, said honestly, and the moral virtues in Confucius.

A stone does not replace a doctor and treats nothing: the full warning is here.

Delivery Times

Dispatch within 48 hours of your order being confirmed, for delivery within 14 days from dispatch. I keep no stock in reserve, and I will not promise a date I could not meet.

Shipping Costs

€6.99 whatever the destination, free on orders over €47 to France, Belgium, Switzerland and Luxembourg. The exact amount is shown in your basket before you pay.

The Packaging, and Why It Matters

Every piece travels in its own pouch, kept apart from the others. This is not a question of presentation: the hardness of jade is unremarkable, between 6 and 6.5 for nephrite and 6.5 to 7 for jadeite, and the quartz in ordinary household dust sits at 7. Two pieces of jewellery that travel together arrive marked.

Fourteen Days to Change Your Mind

No need to give a reason. An email is enough to open a return; there is no form to fill in. Return postage is at your expense, unless the piece does not match its listing or arrives damaged.

It is all set out here, with no small print.

The Simple Routine

Lukewarm water, mild soap, a soft cloth. A very soft brush for the hollows of a carving. That is all, and it is enough.

What You Must Never Do, and Why

No ultrasonic cleaners, no steam, no solvents, no heat source. This is not a precaution for show: the treatment status of my pieces is undetermined. My supplier does not know it, and weighing identifies the mineral without telling me anything about a possible resin impregnation. Resin withstands neither heat nor solvents, so every piece is handled as though it might contain some. The information sheet on treatments.

Scratches, and Where They Come From

Jade is tough, meaning very difficult to break: its structure of interlocking crystals resists cracking, and that is what made it usable for axe heads in the Neolithic. Its hardness, by contrast, is unremarkable, 6 to 6.5 for nephrite and 6.5 to 7 for jadeite. The quartz in ordinary household dust sits at 7: that is what dulls a jade, not knocks. The difference between the two.

Day to Day

Put the piece on after perfume and cream, never before. Take it off for housework, gardening and sport, where knocks against hard edges are common. Store each piece on its own, in its pouch. On a strand of beads, the thread wears out before the stone: it gets restrung, and there is nothing abnormal about that.

Cleaning a piece of jade jewellery and storing it.

What I Do, and What I Do Not Do

My name is Jade. French, from Morbihan, living in Tallinn. I choose the pieces and have them mounted: I mine nothing, I cut nothing, and the metalwork is not done by my hand. What I bring is the selection, and with this material that is what decides everything.

I am not a gemmologist, not a lapidary, not a therapist, and I do not claim to be.

I Weigh, I Do Not Certify

Before a listing goes online, I order one example of it for myself. When it reaches me unmounted, I weigh it in air, then suspended from a thread in a glass of water: the ratio of the two masses gives the density, and that figure separates jadeite, nephrite, serpentine and dyed quartzite without ambiguity.

One example per listing, and not every piece. I do not handle the piece that is sent to you, and I would rather write that down than let you believe otherwise. The method, with its three limits.

What I Cannot Know

The treatment status of my pieces. My supplier does not know it, and the scales do not tell me: they identify the mineral, not the resin impregnation. Only infrared spectroscopy in a laboratory would settle it, and I do not have that done. So you will never read “Grade A jadeite”, “Type A” or “untreated” on this site. The information sheet.

Where My Jade Comes From

No Burmese jadeite, and the first reason is legal. Not the one you read everywhere: the JADE Act of 2008 did ban these stones in the United States, but that ban was lifted on 7 October 2016. What applies today dates from 8 April 2021: the US Treasury sanctioned Myanma Gems Enterprise, the state company that controls the Burmese gem trade. So there is no blanket ban, but a US person is not allowed to trade with that entity, and a stone never tells you where it has been. A single supply chain serves ten markets, so it has to hold up in the most demanding of them. When an origin is not confirmed to me in writing, the listing does not state it. My origin charter.

The whole story.