Jade figurine, a carved subject

67,00 €

Jade figurine carved in the round: a seated Buddha in meditation, a small bowl held in both hands, bead-like curls and scrollwork at the collar and sleeves.

A vivid green polished to a shine, to set on a desk, a shelf or a nightstand. A bare stone in a single block: it will be weighed whole, and the figure will be published here.

Stated as nephrite, weighing of the example to come. Treatment status not determined.

Category:

A jade figurine carved in the round: a seated Buddha in meditation, eyes lowered, a small bowl held in both hands. Bead-like curls, a robe draped diagonally across the shoulder, scrollwork at the collar and sleeves, and a vivid green polished to a shine.

In four lines

  • A seated Buddha in meditation, a bowl held in both hands.
  • Carved in the round, scrollwork at the collar and sleeves.
  • A vivid green, polished to a shine.
  • A bare stone in a single block: it will be weighed whole.

A figure of calm, to keep close by

This jade figurine depicts a seated Buddha, legs crossed beneath the robe, back straight, face peaceful and eyelids lowered. The hands rest one on the other in the lap and hold a small, rounded bowl. Everything in the piece speaks of stillness, and that is what makes it so pleasant to look at.

It belongs on a desk, a shelf, a nightstand or in a reading corner. It is an object you set down and keep, with no purpose other than being there, and it changes the feel of a room.

The detail of a carving in the round

The figurine can be seen from every side. The hair is made of small, tight bead-like curls that rise to the protuberance at the top of the head; the earlobes hang low; a fold of the robe crosses the chest diagonally, edged with a row of beads. Raised scrollwork runs along the collar and the sleeves.

The polish is bright on every surface, right into the folds of the robe, and light glides over the curves of the face, the hands and the knees.

This is not the laughing Buddha

The figure most often sold as a “Buddha”, bare-bellied and laughing, is Budai, a 10th-century Chinese monk. This one is his opposite: slender, composed, in meditation, with the signs Buddhist art gives the Buddha himself, the protuberance of the skull, the curls and the long earlobes. Who the figure really is, and the laughing Buddha pendant if Budai is what you are looking for.

A vivid, luminous green

The green is clear and saturated, luminous from one end of the piece to the other; up close, you can only make out a few lighter shades beneath the surface. It is a colour you notice from across the room, on a shelf as on a desk.

Under a lamp, the polished reliefs light up and the hollows darken slightly: that interplay gives shape to the face and the folds of the robe. Telling real jade apart, with no equipment.

Nephrite, a stone that carves finely

Nephrite is the tougher of the two stones called jade: its interwoven fibers can be hollowed and chased without shattering, which is what makes such fine curls and scrolls possible. A figurine does not mind being handled; it fears a fall onto a hard floor, which can chip a relief. Jadeite or nephrite, what sets them apart, and hardness and toughness.

A gift, and caring for it

With no size or taste to guess, a figurine makes an easy gift: for a housewarming, a birthday, or someone who loves objects from Asia. More ideas for giving jade.

A soft, dry cloth is enough for dust, and a very soft brush for the hollows of the curls and scrolls; from time to time, a little lukewarm soapy water, then careful drying. Never ultrasonic cleaners, steam or solvents. Care in detail.

Additional information

StoneNéphrite
ColourClear green
Stone shapeCarving in the round
MotifSeated Buddha
MountingNone
MetalNone
SettingNo setting
Worn byUnisex
Paired stonesNone, jade only
Mineral familyCalcic amphibole
Hardness (Mohs)6 to 6.5
Reference density2.90 to 3.03 g/cm³
ToughnessExceptional, interlocking crystals
TreatmentNot determined
OriginOutside Burma, country of extraction not confirmed

What tradition attributes to the seated Buddha

What follows shifts register, and I say so rather than blending it into the rest of the page. None of it is proven. These are customs and images, old and documented, that I report because they are part of the history of this motif. No object in this shop is sold as a remedy or a good luck charm, and I attribute no effect to this one.

A stone of moral virtue In Confucian thought, jade is associated with qualities of character rather than effects on the body: integrity, constancy, restraint. It is the best documented meaning of all.
The posture of Awakening Crossed legs, a straight back and hands joined in the lap are the posture of meditation. It is in this position that tradition places the Buddha’s Awakening, at the foot of the Bodhi tree.
The monk’s bowl The bowl held in the hands recalls the alms bowl, one of the very few possessions monastic rule allows a monk. Other figures of the Buddhist pantheon hold a similar bowl: without an inscription, I will not say which one is shown here.
The marks of the Buddha The protuberance at the top of the head, the tight curls and the elongated earlobes are among the marks Buddhist art gives the Buddha. The long earlobes are said to recall the heavy jewellery of the prince he was before he gave everything up.

These readings are told, not verified. Who the jade Buddha figure really is, the virtues attributed to jade, told honestly, and what jade has been in China.

A stone does not replace a doctor and treats nothing: the full disclaimer is here.

Delivery times

Dispatched within 48 hours of your order being confirmed, for delivery within 14 days from dispatch. I keep no buffer stock, and I won’t promise a timeframe I couldn’t meet.

Postage charges

€6.99 to any destination, free on orders of €47 or more to France, Belgium, Switzerland and Luxembourg. The exact amount appears in the cart before you pay.

The packaging, and why it matters

Every piece ships in its own pouch, kept apart from the others. This isn’t about presentation: the hardness of jade is ordinary, between 6 and 6.5 for nephrite and 6.5 to 7 for jadeite, and the quartz in everyday dust sits at 7. Two pieces of jewellery that travel together end up scratching each other.

Fourteen days to change your mind

With no need to explain yourself. An email is enough to open a return, there is no form to fill in. Return postage is at your expense, unless the piece doesn’t match its listing or arrives damaged.

It is all set out here, with no fine print.

The simple routine

Warm water, mild soap, a soft cloth. A very soft brush for the hollows of a carving. That’s all, and it’s enough.

What you must never do, and why

No ultrasonic cleaner, no steam, no solvent, no heat source. This isn’t a token precaution: the treatment status of my pieces is not established. My supplier doesn’t know, and weighing establishes the mineral without saying anything about a possible resin impregnation. Resin tolerates neither heat nor solvents, so every piece is handled as though it might contain some. The information sheet on treatments.

Scratches, and where they come from

Jade is tough, meaning very hard to break: its interlocking crystal structure resists fracturing, and that is why axes could be shaped from it in the Neolithic. Its hardness, on the other hand, is ordinary, 6 to 6.5 for nephrite and 6.5 to 7 for jadeite. The quartz in everyday dust sits at 7: that is what dulls jade, not knocks. The difference between the two.

Day to day

Put the piece on after perfume and cream, never before. Take it off for housework, gardening and sport, where the knocks against corners happen. Store each piece on its own, in its pouch. On a strand of beads, the thread wears out before the stone: it gets restrung, and there is nothing abnormal about that.

Cleaning jade jewellery and storing it.

What I do, and what I don’t

My name is Jade. I’m French, from Morbihan, and based in Tallinn. I choose the pieces and have them set: I mine nothing, I cut nothing, and I don’t do the metalwork myself. The work I do is the sorting, and with this material that is what decides everything.

I am neither a gemmologist, nor a lapidary, nor a therapist, and I don’t claim to be.

I weigh, I don’t certify

Before putting a reference online, I order one example of it for myself. When it reaches me unset, I weigh it in air, then suspended from a thread in a glass of water: the ratio of the two masses gives the density, and that figure separates jadeite, nephrite, serpentine and dyed quartzite without ambiguity.

One example per reference, not every piece. I don’t handle the piece that goes out to you, and I would rather say so than let you believe otherwise. The method, with its three limits.

What I can’t know

The treatment status of my pieces. My supplier doesn’t know, and the scales say nothing about it: they establish the mineral, not the resin impregnation. Only infrared spectroscopy in a laboratory would settle it, and I don’t have that done. So you will never read “jadeite A”, “type A” or “untreated” on this site. The information sheet.

Where my jade comes from

No Burmese jadeite, and the first reason is a legal one. Not the reason you read everywhere: the JADE Act of 2008 did indeed ban these stones in the United States, but that ban was lifted on 7 October 2016. What applies today dates from 8 April 2021: the US Treasury sanctioned Myanma Gems Enterprise, the state-owned company that controls the Burmese gem trade. So there is no general ban, but an American is not allowed to trade with that entity, and a stone never tells you where it has passed through. One single supply chain for ten markets: it has to hold up for the most demanding of them. When an origin isn’t confirmed to me in writing, the listing doesn’t state it. My sourcing policy.

The whole story.