Plum blossom jade flower pendant

42,90 €

Jade flower pendant: a five lobed plum blossom cut from a single pale green stone, pierced at the centre. A fine gold tone chain passes through the hole, with no bail.

The stone carries white patches that I have neither retouched nor cropped out. They are inclusions, and on a nephrite they argue for an untreated stone.

Nothing holds the flower to the chain: it comes off, so it weighs. The record will be published. Why I write it down.

Category:

A jade flower pendant: a five lobed plum blossom, cut from a single pale green stone and pierced with a wide hole at its centre. A fine gold tone chain passes straight through the hole, with no bail. The piece is small and sits in the pad of a finger.

In four lines

  • A five lobed plum blossom, cut from a single stone.
  • Wide central hole: the chain passes through it, no bail, no glue.
  • Pale green with white patches in the mass, which I do not hide.
  • The record will be published: the stone comes off, so it weighs.

The white patches, and why they stay

The stone carries several opaque white patches, clearly visible in the gallery photographs, particularly on the lower lobe. I have neither retouched them nor cropped them out, because an arranged photograph is paid for when the parcel is opened.

They are inclusions, that is zones where the stone crystallised differently: more coarsely, so more opaquely. On a nephrite these white areas are common and they are a sign of an untreated stone, since a resin impregnation would tend to even them out.

They please or they do not, and that is a matter of taste, not of quality. What would be dishonest is to let them be discovered when the parcel is opened. How to judge the quality of a jade.

A hole that serves as a bail

The flower is pierced at the centre with a wide hole, and the chain passes straight through it. There is no ring, no bail, no spot of glue, so nothing that can give way or tarnish next to the stone. It is the simplest mounting there is, and the most durable.

It has a pleasant consequence: the flower slides and pivots freely on the chain. It does not lock into one position, it recentres itself, and it shows each of its two faces in turn, which are worked alike.

It also has a counterpart: the stone rubs on the chain at every movement. Jade is very tough, so it is not the stone that will wear, it is the metal. On a gold tone chain whose alloy is not specified, that means a plating that will eventually mark at the point of contact. The thread and the cord of a jade piece.

What the stone is, and what remains to be established

The green is pale and milky, and the stone stays translucent along its thin edges. On a pale stone the weighing calls for more caution than on a deep green: dolomitic marble, sold under the name white jade, reaches 2.85 while nephrite starts at 2.90.

Serpentine, for its part, stays around 2.6 and quartzite around 2.65, so those two separate out without difficulty. On this reference the measurement is possible, since the flower comes off the chain and weighs bare.

The figure will be published in the record, with its date, and it will come with what I have seen under raking light. The names that do not denote jade, what separates the two minerals, and all the pendants in the shop.

Additional information

StoneJadeite or nephrite, not resolved
ColourLight green
Stone shapeFlower
MotifPlum blossom
MountingChain
MetalGold tone, alloy not stated
SettingDrilled stone
Worn byWomen
Mineral familyCalcic amphibole, Sodium aluminium pyroxene
Hardness (Mohs)6 to 7
Reference density2.90 to 3.36 g/cm³
ToughnessExceptional, interlocking crystals
TreatmentNot determined
OriginOutside Burma, country of extraction not confirmed

What tradition attributes to the plum blossom and to jade

What follows changes register, and I flag it rather than blending it into the rest of the page. Nothing here is demonstrated. These are customs and beliefs, which I report because they are part of the history of this stone. No piece in this shop is sold as a remedy, and I claim no effect for this one.

The flower that opens in the snow The plum tree flowers at the end of winter, on bare wood, often before the thaw. That is where its whole meaning in China comes from: it figures tenacity, the capacity to hold on and to start again when nothing invites it. The motif is everywhere in scholarly painting.
The three friends of winter Plum, pine and bamboo form a trio found together on screens, porcelain and jewellery. Three plants that cross the bad season, read as three ways of not giving in.
Five petals, five blessings The five lobes of the flower are brought close to the five blessings of the traditional wish: long life, wealth, health, virtue and a peaceful end. The connection is late and rests on the number, not on botany.
A stone of moral virtue In Confucian thought, jade is associated with qualities of character rather than effects on the body: uprightness, constancy, restraint. It is the best documented meaning of them all.

These readings are told, not verified. The virtues attributed to jade, said honestly, and the moral virtues in Confucius.

A stone does not replace a doctor and treats nothing: the full warning is here.

Delivery times

Dispatched within 48 hours of your order being confirmed, for delivery within 14 days from dispatch. I keep no buffer stock, and I won’t promise a timeframe I couldn’t meet.

Postage charges

€6.99 to any destination, free on orders of €47 or more to France, Belgium, Switzerland and Luxembourg. The exact amount appears in the cart before you pay.

The packaging, and why it matters

Every piece ships in its own pouch, kept apart from the others. This isn’t about presentation: the hardness of jade is ordinary, between 6 and 6.5 for nephrite and 6.5 to 7 for jadeite, and the quartz in everyday dust sits at 7. Two pieces of jewellery that travel together end up scratching each other.

Fourteen days to change your mind

With no need to explain yourself. An email is enough to open a return, there is no form to fill in. Return postage is at your expense, unless the piece doesn’t match its listing or arrives damaged.

It is all set out here, with no fine print.

The simple routine

Warm water, mild soap, a soft cloth. A very soft brush for the hollows of a carving. That’s all, and it’s enough.

What you must never do, and why

No ultrasonic cleaner, no steam, no solvent, no heat source. This isn’t a token precaution: the treatment status of my pieces is not established. My supplier doesn’t know, and weighing establishes the mineral without saying anything about a possible resin impregnation. Resin tolerates neither heat nor solvents, so every piece is handled as though it might contain some. The information sheet on treatments.

Scratches, and where they come from

Jade is tough, meaning very hard to break: its interlocking crystal structure resists fracturing, and that is why axes could be shaped from it in the Neolithic. Its hardness, on the other hand, is ordinary, 6 to 6.5 for nephrite and 6.5 to 7 for jadeite. The quartz in everyday dust sits at 7: that is what dulls jade, not knocks. The difference between the two.

Day to day

Put the piece on after perfume and cream, never before. Take it off for housework, gardening and sport, where the knocks against corners happen. Store each piece on its own, in its pouch. On a strand of beads, the thread wears out before the stone: it gets restrung, and there is nothing abnormal about that.

Cleaning jade jewellery and storing it.

What I do, and what I don’t

My name is Jade. I’m French, from Morbihan, and based in Tallinn. I choose the pieces and have them set: I mine nothing, I cut nothing, and I don’t do the metalwork myself. The work I do is the sorting, and with this material that is what decides everything.

I am neither a gemmologist, nor a lapidary, nor a therapist, and I don’t claim to be.

I weigh, I don’t certify

Before putting a reference online, I order one example of it for myself. When it reaches me unset, I weigh it in air, then suspended from a thread in a glass of water: the ratio of the two masses gives the density, and that figure separates jadeite, nephrite, serpentine and dyed quartzite without ambiguity.

One example per reference, not every piece. I don’t handle the piece that goes out to you, and I would rather say so than let you believe otherwise. The method, with its three limits.

What I can’t know

The treatment status of my pieces. My supplier doesn’t know, and the scales say nothing about it: they establish the mineral, not the resin impregnation. Only infrared spectroscopy in a laboratory would settle it, and I don’t have that done. So you will never read “jadeite A”, “type A” or “untreated” on this site. The information sheet.

Where my jade comes from

No Burmese jadeite, and the first reason is a legal one. Not the reason you read everywhere: the JADE Act of 2008 did indeed ban these stones in the United States, but that ban was lifted on 7 October 2016. What applies today dates from 8 April 2021: the US Treasury sanctioned Myanma Gems Enterprise, the state-owned company that controls the Burmese gem trade. So there is no general ban, but an American is not allowed to trade with that entity, and a stone never tells you where it has passed through. One single supply chain for ten markets: it has to hold up for the most demanding of them. When an origin isn’t confirmed to me in writing, the listing doesn’t state it. My sourcing policy.

The whole story.